Faculty Spotlight: Dr. Anne L. Fetter, Public Policy and Administration
 |
| Walden faculty member Anne Fetter |
Did you know the Writing Center serves faculty as well as students? The subject of our faculty spotlight this month is someone who stood out to us because of her tireless efforts to provide good writing support for her students, reaching out to us regularly to get confirmation of tricky APA rules or to seek helpful resources for particular students. Read on to learn more about California resident Dr. Anne L. Fetter, faculty member in Public Policy and Administration.
What are the most common writing challenges for your
students?
APA formatting
that’s compliant with APA’s sixth edition; form and style; cohesiveness; smooth
flow; and concise, precise writing.
What have you done to help your students master those
skills?
I try my hardest to clarify each Application, including
posting 3-4 sample "A" papers (anonymous, with authors' consent) and
a scoring rubric for each. In addition, I provide samples of APA-compliant
documents, as well as two recently published dissertations for which I served
as URR (again with their permission). I also provide examples of clear research
questions lifted from those dissertations, both on the same general topic, one
qualitative and one quantitative. I work with students in the workshop section
to hone research questions to pass the Litmus Test.
I provide extensive feedback in addition to recommending (at the beginning of
the course and throughout the course) that they take advantage of the resources
offered by the Writing Center.
I view my role as primarily to help students master content, but when the
writing is unreadable, I cannot get to the content. I emphasize that ALL
scholar practitioners (yes, even me) can benefit from others reading and
critiquing their work. I also have a long list of "Common Comments"
that I use to indicate areas for improvement.
How does your own experience as a writer inform your work
with student writers?
Deeply. Practice, practice, practice.
What advice do you have for faculty who want to help
their student writers?
Send them to the Writing Center. Don't ignore nonprofessional
writing or writing that doesn't adhere to APA guidelines, so that the students
don't arrive in my classes saying "no one has ever critiqued my writing
before" and feel angry and betrayed. I feel strongly that the faculty should
present a united front in high standards of academic excellence and very high
standards for clear comprehension of the topic. I even critique the APA
formatting in discussion posts.
What advice do you have for students who want to improve
their writing?
See above, and do
not take criticism of your writing personally; it is all part of the
iterative process of becoming a life-long scholar practitioner. My personal
motto is to try to learn something new every day.
How is a student’s ability to write related to success in
your field?
It is extremely relevant. If a student cannot write a
course Application to par, he or she will never get through the dissertation
process. Upon graduation, a new doctoral level professional will be called upon
to write and review original summative and formative research, write clear and
concise internal and external documents, and be able to present to a wide
variety of diverse audiences without appearing condescending. As we do at
Walden as faculty, new professionals will need to meet individuals at their own
level (whatever that is).
What’s something about you that would surprise your
students?
I took up horseback riding at 42, and after 3 concussions, 8 broken ribs, and a broken ankle, I gave it up at 48 only to break my leg (thanks to a 75-lb. dog) on my 50th birthday. I was a Division I skier in college (Giant Slalom) and used to swim 7-8 hours a day. I am literally just getting back to walking my dogs (a choke chain helps) and have committed to participating in one leg of a mini-triathlon aimed at breast cancer awareness next fall.
Manager of Program Outreach and Faculty Support Amber Cook compiled this interview. If you are a faculty member looking for resources to help support you in your work with student writing, please visit our website's Faculty page.
Simulacra and Simile: This Post is Really, Like, Super Important
"That really, seriously, just happened, like, literally, two minutes ago."
In our daily lives, we all tend to use words
such as “really,” “seriously,” and “literally” to convey a certain meaning or
provide emphasis for our speech. In scholarly writing, those words are often
considered unnecessary and hyperbolic (purposeful exaggeration). And just as in
our scholarly writing, these words serve a specific function in our informal speech.
Let’s take the introduction quote as an
example: the words “really,” “literally,” and “seriously” are all added to
emphasize the verb “happen.”
Something
that just happened
occurred within a specific time period. For
example, a phenomenon that occurred 60 minutes ago did not just happen; conversely, an event that
occurred within the last 15 minutes probably just
happened. To make sure to close the gap between happening and just happening, we often add the adverb
“seriously” to emphasis proximity. Then the time gap shrinks to within a minute
or two of the event.
So, you
might ask, what word is at the core of needing these repeated and quite
superfluous emphases? One simple word: like.
"You should, like, seriously, read this."
"Like” is a simile (“a figure of speech
involving the comparison of one thing with another thing of different kind”)
that is most often found in poetry; it also means “similar to,” “in the manner
of,” and finally, “used in speech as a meaningless filler or to signify the
speaker’s uncertainty” (all definitions from my Mac Dictionary). The last one
is my favorite; yet, it does not convey the true significance of the word “like.”
For that, we need another example.
Bill: "What's up? What did you do today?"
Gill: "Oh, nothing much. We, you know, like, threw the football around a bit."
So, now I
ask you: What did Gill do today? Did he throw the football around? Well,
technically, no.
When Gill
uses the simile “like,” he states that he did something like throwing a football around. He
performed a simulation that resembles throwing a football around; therefore, he may or may not have
thrown the football around. We don’t know.
So, he
didn’t throw the football around. So what?
Well
then, smarty-pants, if Gill is telling Bill that he did not do something that
he says he did, then how does he reverse the negative of “not doing” to prove
that he did it? Easy: he
uses emphasis.
Bill: "What's up? What did you do today?"
Gill: "Oh, nothing much. We, you know, like, threw the football around a bit. Man, once, Lill threw it really hard and I had to run super fast to, like, just catch it, you know?! That was crazy."
Gill has
provided some much needed emphasis in order to substantiate his earlier claim
that he was, indeed, throwing the football around. Both the words “really” and
“super fast” provide hyperbole that overcompensates for the nothingness of
simulation, proving to Bill that he actually did do something. He did so much of something
that he really did
this something. And it was amazing! Really!
For a super simple and really fast way to rid your essay of all the unnecessary "really"s, "actually"s, "literally"s, and "seriously"s, check out Writing Instructor Anne Shiell's instructional post on using Microsoft Word’s Find + Replace function for specific language.
A seasoned traveler, Writing Instructor Shawn Picht enjoys working with students from around the globe. In his free time, he likes to jog, jump rope, read literature and philosophy, write about his travels, and play Rolling Stones and Dylan songs on a blue acoustic guitar. This post was adapted from a post on his personal blog.
WriteCast Episode #6: All About Audience
This month, we bring you "All About Audience." What is audience? Why should we care about it? With a focus on course papers, Brittany and Nik talk about how and why to consider your readers.
To download the episode to your computer, press the share button on the player above, then press the download button. Visit the Writing Center's WriteCast page for our episode archive and transcripts. Happy listening!
Question: Do you think about your audience as you write? How does thinking about your readers impact your writing? Share with us in the comments!
Resources mentioned in this episode:
Audience
To download the episode to your computer, press the share button on the player above, then press the download button. Visit the Writing Center's WriteCast page for our episode archive and transcripts. Happy listening!
Question: Do you think about your audience as you write? How does thinking about your readers impact your writing? Share with us in the comments!
Resources mentioned in this episode:
Audience
Writing Instructors Nik Nadeau, Anne Shiell, and Brittany Kallman Arneson produce the WriteCast podcast.
Finish the Story
The opening lines of a story are often the best. When I’m writing, be it something short or novel length, before the idea is fully formed or an outline has been written, it is usually the first few lines that materialize; the story then follows.Found dead at home…
I love her. I can’t help it. She’s a junkie…
The Earth cracked and nobody knew. The weight and progress of humanity had done its damage…
When reading a book and I approach the end, I tend to slow down. The ending is bittersweet. I want to prolong the story. Regardless, I still finish the book.
When I’m writing, it’s the same way. To be honest, I’m better at starting stories than finishing them. The process of research and writing and revising is so rich to me that I often want to remain steeped in it for as long as possible. Much of the time, an ending never comes.
On December 20 I was approached by a YA publisher to submit one of my stories for consideration. He had heard of the broad strokes and liked it. I asked if I could have some time to tie up the loose ends. January 12 was the deadline. What I did not tell him was that loose ends meant I needed to start and finish the story.
Prior to our conversation, it was just an idea. Over the next 23 days, I wrote, took notes, jotted ideas, revised, and then submitted a YA novel of 53,300 words. I should hear back anytime between the next 2-24 months. The point is I finished the story.
Dissertation Editor and Coordinator of Developmental Editing Tobias Ball holds a BA in Classical and Near Eastern Studies from the University of Minnesota, an MSt in Medieval and Renaissance Studies from Oxford University, and an MLIS from Dominican University. He enjoys writing fiction and poetry.
Subscribe to:
Posts
(
Atom
)
No comments :
Post a Comment